Blue Peach produces video and animation for a variety of agency, corporate, government and advertising use. We offer a complete range of digital media services to help you script, design, produce, and deliver your custom project. Our team has years of experience shooting and editing video all over the world. Formats include RED EPIC, Canon, Sony, Panasonic, Hi-Def 24p, 30 progressive, 120 fps, 180 fps in burst, FW800 & HDMI, 16mm, 35mm film. And please count on us to take special care lighting & mic-ing your subject for the highest grade professional results.
DRIVING YOUR VIEWERS TO TAKE ACTION
RESEARCH INDICATES THAT THE FIRST MINUTE OF A MARKETING, ADVERTISING OR TRAINING VIDEO IS CRUCIAL. IF YOU CAN'T REACH YOUR AUDIENCE IN THE FIRST MINUTE, YOU LOSE THEM. LET US HELP YOU SUCCEED IN COMMUNICATING EFFECTIVELY AND POWERFULLY.
VIDEO SHOOT Key / $
The KEY includes a 2-person crew, 10 hours door-to-door, 2 hi-def cameras, 2 mics, lighting kit, tripods, shoulder mount, proper cabling for MULT BOX feed, and raw native compression codec clips output to client drive.
basic / $$
The BASIC includes a 3-person crew, 10 hours door-to-door, 2 hi-def cameras shooting up to 4K, 3 mics, boom, extensive lighting kit including chimera, tripods, shoulder mount, proper cabling for MULT BOX feed, and raw native compression codec clips output to client drive.
standard / $$$
The STANDARD includes a 4-person crew, 10 hours door-to-door, 2 hi-def cameras shooting up to 4K, 4 mics, boom, extensive lighting kit including chimera, C-stands, tripods, shoulder mount, proper cabling for MULT BOX feed, and raw native compression codec clips output to client drive.
custom / $$$$
The CUSTOM includes a minimum 4-person crew, custom tailored to your specific project, 10 hours door-to-door, 3 hi-def cameras shooting up to 4K, 4 mics, boom, extensive lighting kit including chimera, C-stands, tripods, shoulder mount, proper cabling for MULT BOX feed, and raw native compression codec clips output to client drive. This package also includes tracks, dolly, crane or gib depending on the nature of your special shooting need.
MULTIPLE DAY SHOOTS
We can design a reduced budget for multiple-day shoots, and happy to discuss at the time of your booking.
SHOOT / EDIT / PACKAGE
We specialize in post-production, motion graphics and sfx, as well as shooting. So if your project is one that requires both shooting and editing, finishing and post, we're happy to work out a budget for the entire project. We have a long history of creating 2D / 3D animation and onscreen graphics.
Animation is a powerful tool we use to inform, entertain and explain complex processes and concepts related to the Medical / Pharma industry, marketing, sales, commercial, education, training, government, and financial concerns.
A 3D model, constructed in wireframe comprises the inner structure, or armature on which the surfaces of an object are placed. The model is what gives the object its visual integrity; it's what makes the object viable as "real." Blue Peach has created 3D objects for clients such as JD Power & Associates, BusinessWeek, and Universal McCann.
Our 3D team has experience creating work for Nat Geo, PBS, Network Television and a host of other clients. Rigging is an integral part of creating a working model. The neck bone is indeed connected to the shoulder bone, and the two parts have to be rigged so that there is a controlled and natural interactive dynamic between them. You can see those physical connections clearly in the example above.
Object: to create 2D animation for truvia's "turning the town truvia" campaign. Blue Peach produced and delivered on time and within budget. Blue Peach creates all animation related project assets in vector format to insure zero loss of clarity when scaling up or down. We use AE, Illustrator, and other industry-standard software.
When a project requires 2D animation with a 3D feel, we create what we internally refer to as 2.5 D. Instead of modeling an object in 3D, we create a 2D object in 3D space and move the camera around it to simulate 3D. The effect is compelling, and many times less expensive than building a scene or character in 3D. Here above, you see a frame from a 2.5 D animation we did for USPS' SPIDERMAN campaign.